The films look as good as movies from 1929 to 1940 can reasonably be expected to look. This is on glorious display through these Roach pictures, whether it’s the boys sharing one small train berth in Berth Marks, executing their famous synchronized dance in Way Out West, or laboring to get that piano up a very steep flight of stairs in the Oscar-winning The Music Box. Some films are great, some merely passable, but all stick blissfully to character. Thus, Stan’s dimwitted innocence and Ollie’s perpetually exasperated reactions (raised to an exquisite art by Hardy’s comprehensive glances at the camera, assuring the audience’s complicity in his misery) are the essence of their success. Their track record is proof that it isn’t merely the jokes that make for comic success it’s the personalities of the comedians. The collection contains the sound films that Laurel and Hardy made for producer Hal Roach, the man who teamed the simpering English vaudeville player and the rotund American actor in the first place (although their laughs are evenly divided, Laurel was the creative force and chief gag-inventor of the duo).
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